Cry , the Beloved Country: Post-Colonial Literary Theory :: Cry the Beloved Country Essays

Cry , the Beloved Country Post-Colonial Literary Theory Bibliography w/4 sources          Cry , the Beloved Country by Alan Paton is a hone example of post-colonial literature. South Africa is a colonise country, which is, in many ways, quiesce living chthonian oppression. Though no longer living under apartheid, the indigenous Africans argon hard-boiled as a minority, as they were when Paton wrote the book. This apologue provides the semipolitical view of the author in both subtle and unadorned ways. Looking at the skeleton of the novel, it is extremely evident that relationship of the annex vs. colonizers, in this case the blacks vs. the dusters, rules the dapple. Every characters race is provided and has tie beam with his/her place in life. A black man kills a white man, therefore that black man must die. A black umfundisi lives in a valley of desolation, while a white farmer dwells higher up on a rich plot of land. White men are e ven taken to court for the simple gesture of giving a black man a ride. This is not a subtle lodge, the ratifier is immediately stricken by the diversities in the lives of the South Africans.      The finer detail of the book are what can really be looked at in terms of post-colonial theory. The fact that a native Zulu, Stephen Kumalo, is a priest of Christianity and speaks English, communicates how the colonized are living. Neither of these practices are native to his land, but they are treated by all as if they were. Small sentences are woven into the plot to further this point, such as the reoccurring European greetings.      Another emphasis is on the learned customs of the people. In court when Kumalo finds that his son will be hanged, he is touched that a white man breaks the custom to function him walk outside. When the white boy raised his cap to Kumalo, he, felt a strange pride that it should be so, and a strange humility that it should be so, and an astonishment that the low-toned boy should not know the custom. (p. 234). The fact that this small courtesy was taken so heavily is overwhelming from a post-colonial point of view. Kumalo is so accustomed to the way of the land that he does not make bold think that he deserves even this respect.      Napoleon Letsisi is the character that reveals the significant political belief of the author.